 PILL WONDER "Jungle/Surf" (Underwater Peoples Records, 2010)
PILL WONDER "Jungle/Surf" (Underwater Peoples Records, 2010)The 
Underwater Peoples Recording Company is proud to present Pill  Wonder's first LP, the fuzzy, untamed pop miracle, 
Jungle/Surf.
 
 
 Like the lush tropics, Jungle/Surf lulls a weary journeymen with  soft koos and delicate trickles. Visions of tribal maidens beneath slow  motion waterfalls cloud the hiker as he plummets himself into the hot  and wet greenery. Plunging ever deeper, those who dare fall in love with  the jungle's hallucinogenic qualities soon find growling jaguars  brushing up against their calves and trumpeting elephants announcing  their arrivals. The monkeys swing amongst crooked trees and rusty radio  towers, their chirps and howls seem to harmonize with the frequencies  murmuring through the sky.
  
 As night falls, the jungle disco's euphoric energy becomes almost  frightening. The seasoned travelers heart beats like that of a  hummingbird and his eyes become wide like those of flies. Despite miles  of hiking, the man feels as light as feather, "How can this be?" he  declares. "What is this place?!" And as if the Jungle heard his queries,  at that very moment our adventurer hears the faint sounds of distant  drumming. Now he is faced with a choice, go forth into the beautiful  dark density or retreat back to base camp, content with already enough  experience to write a hundred memoirs. 
  
 Underwater Peoples Records invites you to draw your machete, lace  tight your boots and venture with us into the deep, unknown world of  Pill Wonder. Like no other terrain ever explored, Jungle/Surf is  diverse, exotic and utterly undefinable. While I can not promise your  past hiking experience will help you navigate this lush and mystical  world, I can assure all who enter with an open heart and mind, will  leave forever changed.
  
Pill Wonder's Jungle/Surf was recorded by William Murder/Murdoch in  a two year span at the house where he has spent all 22 years of his  life, just north of the U District in Seattle, WA - under the roof where  the rain hits hard all year 'round, Will recorded during lonely  afternoons, often while his mother was at work at the University of  Washington Math Library.
  
 Using an old DELL desktop computer in his bedroom, with the  illegally downloaded Adobe Audition recording software, Will employed  boxes of macaroni 'n cheese, a little kid's drum set purchased at a  garage sale, and often beat boxing for his rhythm tracks. Other than  that, a 3rd grader's recorder, an electric guitar of the Fender variety,  a guitar amp of the Fender variety, some sort of cheap keyboard and one  Shure SM 57 microphone made up the rest of his recording equipment.